Weighing Testimony: Marc Bloch and the Historian's Craft

September 1917: French soldiers took a German prisoner who came from Bremen, Brême in French. The name was misheard as Braisne, a town a few kilometres away, and the rumour made him a local shopkeeper turned spy.

Provisional Read & listen

Guess first

Marc Bloch studied the false reports that spread among soldiers in the First World War. What did he conclude a false report needs in order to take hold?

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· Committing first, even to a wrong guess, makes the answer stick.

At a glance · about 1 min

How a False Report Grows

  1. IncidentA chance misperception, such as a misheard name
  2. Prepared mindsA belief the group already holds
  3. RetellingWord of mouth, traded at the field kitchens
  4. LegendA mirror in which the group sees itself
Only the first incident is chance; the story spreads because minds were already prepared.

In brief

A misheard name, Brême taken for Braisne, turned a German prisoner into a local spy because belief in spies was already a dogma. Bloch's lesson: there is no good witness, so ask on which points a sincere one deserves belief. And an origin is not a cause: knowing when something began does not show why it happened.

Key ideas

  • From the young psychology of testimony Bloch drew the lesson that there is no good witness and hardly any testimony exact in every part; the real question is on which points a sincere witness deserves belief, judged case by case.
  • A false report is born of beliefs that existed before it: a misheard name, Brême heard as Braisne, became a spy story because belief in German spies was already a kind of dogma.
  • An origin is not a cause: knowing when something began does not show why it happened, and causal claims about the past are counterfactuals argued by comparison.
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  1. recall

    What happened in the Braisne episode of September 1917, as Bloch tells it?

    Show answer

    A raiding party brought back a German sentry, an older reservist from Bremen (Brême). The name was misheard as Braisne, a town a few kilometres away, and the rumour made him a local shopkeeper who had come back in enemy uniform and could only be a spy.

  2. recall

    What did Bloch call the idol of origins, and why is the word "origins" risky?

    Show answer

    Treating a beginning as an explanation. "Origins" can mean a beginning or a cause, and the meanings blur: in popular usage an origin is a beginning which explains, and worse, a complete explanation.

  3. explain

    Why did Bloch think the mishearing alone does not explain the spy story?

    Show answer

    Only the first incident was chance. The story took off because imaginations were already prepared: belief in German espionage had become a kind of dogma with almost no unbelievers. A false report is always born of collective beliefs that existed before it.

  4. apply

    Two neighbours describe a night-time car crash. One saw it from her window; the other heard about it next morning from a friend. Both say the driver was speeding. Using the page's routine, how much should their agreement count, and why?

    Show answer

    Less than it seems. The first was placed to see it; the second is repeating someone else, so they are not clearly independent witnesses and their agreement may be one account counted twice. The routine also asks how soon each account was written down and what each expected beforehand.

  5. connect

    This page links to "Cause and Effect: Counterfactuals, Confounding and Experiments". Why does it say that a claim that one historical event caused another is a counterfactual argued by comparison?

    Show answer

    History cannot run an experiment on the past. A causal claim about it means "had this not happened, that would not have", and it is argued by comparison with other cases.

How a historian weighs witnesses who may be sincere and still wrong, how false reports grow from what people already believe, and why an origin is not an explanation, after Marc Bloch's The Historian's Craft and his 1921 essay on the false news of the war.

After this page You can weigh two accounts of one event point by point, ask what each witness was placed to see and primed to believe, and keep the origin of something apart from its cause.

#history#testimony#sources#evidence#causation

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In September 1917 a French raiding party on the Chemin des Dames brought back a German sentry, an older reservist from Bremen. The rumour that followed made him a shopkeeper from Braisne, a town a few kilometres away, who had come back in enemy uniform and could only be a spy. Marc Bloch, a historian serving in that sector, traced the story to a misheard name: Brême, French for Bremen, heard as Braisne. He published the case in 1921, in an essay on the false news of the war. The same historian later wrote The Historian's Craft. Read together, the two teach how to weigh a witness.

A book about how the past is known

The Historian's Craft opens with a boy asking his historian father what history is for (unverified against an authorised edition). Bloch died in 1944, and the French original, Apologie pour l'histoire ou Métier d'historien, appeared after his death, in 1949. Its chapters move from "History, Men, and Time" to "Historical Observation", with sections on evidence and how evidence is transmitted. Next comes "Historical Criticism", with sections on the history of the critical method, the pursuit of fraud and error, and a logic of the critical method. The book ends with historical analysis and causation. The Level that assigns the book asks for the chapters on observation and criticism; this page gives the questions to carry into them.

There is no good witness

In 1921 Bloch called the psychology of testimony a very young science, barely more than twenty years old, and credited it with helping historical criticism. Its lesson, in his words: "Il n'y a pas de bon témoin ; il n'y a guère de déposition exacte en toutes ses parties." In English: there is no good witness, and hardly any testimony is exact in every part.

That does not make witnesses worthless. Bloch went straight on to the real question: on which points does a sincere witness, one who believes he is telling the truth, deserve belief? He called it infinitely delicate, with no answer that can be fixed in advance. Each case has to be judged. Established as Bloch's position; the experimental work on memory and testimony since 1921 is not reviewed here.

How a false report is born

The Braisne story shows the mechanism. The mishearing was an accident. The spy was not. Belief in German espionage had become, Bloch wrote, a kind of dogma with almost no unbelievers. Only the first incident was chance; the story took off because imaginations were already prepared. His general rule: "Une fausse nouvelle naît toujours de représentations collectives qui préexistent à sa naissance." A false report is always born of collective beliefs that existed before it. He called it a mirror in which a group sees its own features.

He found the same pattern in a larger case. The Belgian sociologist Fernand van Langenhove had studied the legends of Belgian francs-tireurs, civilian snipers, among German troops. Holes left in house fronts for plasterers' and painters' scaffolding were read as loopholes for snipers. A soldier who expected snipers saw them in the walls.

Bloch also named the conditions that weaken judgment. "On croit aisément ce que l'on a besoin de croire": people readily believe what they need to believe. Methodical doubt, he wrote, is usually a sign of good mental health, so strong emotion and fatigue erode it. Censorship pushed news back into word of mouth, and the field kitchens became the "agora" of the trenches, where rumours were traded.

A routine for weighing two accounts

For each point on which two accounts disagree, ask:

  1. Was the witness placed to see it, or repeating someone else?
  2. How soon was it written down, and through how many mouths did it pass?
  3. What did the witness expect or fear beforehand?
  4. Do independent witnesses agree, and are they really independent?
  5. Would the error, if it is one, fit a belief the witness's group already held?

This routine is the site's own condensation of Bloch's cases, not a list he gives: Provisional. The first question is the one Observe, Define, Represent trains: the soldiers heard a sound; the spy was an interpretation. Peirce argued that clinging to a belief breaks down when you meet people who think differently (Peirce on the Fixation of Belief). In the trenches, Bloch found almost no one who did.

Origins are not causes

Causes in history raise a different trap, which Bloch called the idol of origins. The word "origins" can mean a beginning or a cause, and the two meanings blur. In popular usage, he says, an origin is a beginning that explains, and worse, a complete explanation (paraphrase; unverified against an authorised edition). Knowing when something began does not show why it happened or why it lasted. In the same chapter he argues that understanding needs a range of comparison, and that the present helps explain the past as the past explains the present.

History cannot run an experiment on the past. A claim that one event caused another is a counterfactual, "had this not happened, that would not have", argued by comparison with other cases. The page on Cause and Effect sets out what such a claim must assume.

The arts behind it

Weighing testimony is old work for the trivium. Grammar establishes what a document actually says. Dialectic sets witness against witness. Rhetoric notices how a story was shaped to persuade, and to whom. Modern inquiry adds the question of transmission: how the report travelled to you. Lateral reading (Checking Sources) is the same discipline applied to the web. So is an outage report at work: Technical Writing as Reasoning asks its writer to keep observation and inference apart, because the next reader has to weigh it as testimony. In the site's five acts (its own synthesis, not a classical scheme), this page trains examining reasons and checking against evidence.

Where this could be wrong

The strongest objection. "There is no good witness" can harden into blanket suspicion, and blanket suspicion is as lazy as blanket trust. The routine also assumes you can tell which witnesses are independent, which is often the hardest fact to establish.

The best reply. Bloch's own question rules out blanket doubt: the task is to find the points on which a sincere witness deserves belief, not to discard witnesses. Where independence cannot be established, say so, and weigh the agreement less.

What would settle it. Test the routine on events whose truth was later fixed by documents or physical evidence, and see whether readers using it pick the more reliable account more often than readers without it. No such test is cited here, so the routine stays Provisional.

Try this

  1. Compare two accounts of the same event, such as two newspapers or two memoirs. Judge which is more reliable on three points, giving the reason for each judgment from the routine above.
  2. Write the history of one rumour: the first incident, the belief it met, and the route it travelled.
  3. Take a claim about the origin of a word, custom or tool. Separate when it began from why it spread.
  4. These are the practice steps for the Level on weighing testimony (the Levels path). Note which of the five questions changed your mind.

Further reading

  • Marc Bloch, The Historian's Craft, trans. Peter Putnam (Knopf, 1953), chapters I to III.
  • Marc Bloch, "Réflexions d'un historien sur les fausses nouvelles de la guerre", Revue de synthèse historique 33 (1921), pp. 17-39, on French Wikisource.
  • Checking Sources: Lateral Reading and Tracing Claims for the same habits on the web.

Sources 3
  • Marc Bloch, The Historian's Craft, trans. Peter Putnam, introduction by Joseph R. Strayer (New York: Knopf, 1953; Vintage reprint).
  • Marc Bloch, 'Réflexions d'un historien sur les fausses nouvelles de la guerre', Revue de synthèse historique 33 (1921), pp. 17-39; text on French Wikisource.
  • Marc Bloch, Apologie pour l'histoire ou Métier d'historien (1949), the French original of The Historian's Craft, published after the author's death.